A unique experience for those who are curious about NFT (Immutable Token) and haven't met yet, starts at Müze Gazhane, the city's cultural and life center. The digital works of 15 artists come together in the NFT exhibition titled 'Parallax'. The exhibition, which will carry philosophical, cultural and social implications from the digital to the physical environment, can be visited free of charge between April 20 and May 20, 2022.
Museum Gazhane, brought to the city by the Istanbul Metropolitan Municipality (IMM) with its versatile restoration project, is hosting the NFT exhibition. Digital artworks of 15 artists meet in a metaphorical, philosophical, cultural and social framework in 'Parallax' (Shift of Perspective).
Derya Yücel is the curator of the exhibition, which will be held with the support of IMM Cultural Heritage Department, Museum Gazhane and Technology sponsor Arçelik. The exhibition, which will open its doors on April 20 at the Museum Gazhane C Gallery, will be open to visitors between 09.00-18.00 on weekdays except Mondays, and between 10.00-18.00 on weekends.
REALITY AND METAVERSE
In the 'Parallax' NFT exhibition, which focuses on the possibilities of multi-probable reality, the artists; Works by Aviz, Selçuk Artut, Kerim Atlığ, Backtopoints, Büşra Çeğil, Aslı Dinç, Ahmet Rüstem Ekici, Çağatay Güçlü, Ahmet Said Kaplan, Balkan Karişman, Hamza Kırbaş, Osman Koç, Ecem Dilan Köse, Sam Sipahi and Hakan Sorar. . The works open the door to the reshaping of concepts against each other by encountering the perception of reality and the metaverse of digital art from different frames.
ABOUT PARALLAX
Parallax, which has a counterpart in photography in a wide conceptual range, is used to express a situation called error. Parallax error briefly; It is the fact that the two images do not deviate between the one seen when we look through the viewfinder on the camera and the image taken by the lens when the shutter button is pressed. The concept of parallax is described not only as an optical experience, but also as a subject-object issue. If the change in the background is dependent on the subject, where the gaze changes, an unlimited set of possibilities that do not have priority over each other and cannot be counted as 'mistakes' is reached.
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